Introduction
摘要
Taubert’s impetus to begin this work came from a traumatic experience soon after he returned from Danzig to Leipzig in 1715, an experience he equates with life under wartime conditions: Thus, as it seemed to me, having escaped the dangers of the Swedish War in Danzig, it was, alas! my bad luck to find myself in the midst of [i: all-too] violent dance haters [in Leipzig].