The main objective of this research is to analyze the elements of audiovisual narrative in the fifth season of Money Heist (2022). The present work was conceived under a qualitative approach; therefore, content analysis was used for data collection. Likewise, the sample was episode 10 of the fifth season. In this sense, the information was recorded with an observation sheet. In addition, when applying the aforementioned technique, it has been found that, among the main results, most of the recordings take place indoors; the scenery predominantly belongs to the realist style; half of the actors are protagonists; and the costumes in most of the series are also realistic in style. In addition, the production is characterized by handling cold and warm lighting at the same time.

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Analysis of the Elements of Audiovisual Narrative in the Fifth Season of “Money Heist”

  • Mishell Esteffany Quintana-Serván,
  • Angie Rossmery Flores-Chavez,
  • Elsa Magdalena Diez-Pachas,
  • Ketty Betsamar García-Ruiz,
  • Iván Cruz Ramírez-Banda,
  • Leonardo Daniel Mancilla-Silva

摘要

The main objective of this research is to analyze the elements of audiovisual narrative in the fifth season of Money Heist (2022). The present work was conceived under a qualitative approach; therefore, content analysis was used for data collection. Likewise, the sample was episode 10 of the fifth season. In this sense, the information was recorded with an observation sheet. In addition, when applying the aforementioned technique, it has been found that, among the main results, most of the recordings take place indoors; the scenery predominantly belongs to the realist style; half of the actors are protagonists; and the costumes in most of the series are also realistic in style. In addition, the production is characterized by handling cold and warm lighting at the same time.