In the previous chapters I have concentrated on only two points, the line and the act of making it. After having clarified these points, it seems necessary for me to explain how these aesthetic elements emerged from “the natural attitude” towards the world and towards painting.

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Painter, Painting, and the Painted: Penetrating the Appearance of the World

  • Jianping Gao

摘要

In the previous chapters I have concentrated on only two points, the line and the act of making it. After having clarified these points, it seems necessary for me to explain how these aesthetic elements emerged from “the natural attitude” towards the world and towards painting.