This chapter examines the configurationism within China's current public cultural service system, which stems from Chinese poetic tradition and emerged during the planned economy era. It notes that despite undergoing gradual reform in the market economy era alongside the growth of cultural and creative industries, the system retains distinct characteristics: “Distribution Culture” flowing from the government to the community and “Propaganda Culture” disseminating from the top-down. The author contends that while confirming the government's leading role, emphasis should be placed on the involvement and institutional innovation of civil society, non-profit legal entities, and marketdriven or semi-market driven enterprises. The author proposes a policy reform to establish a “Specialized Enterprise” system for public cultural services. This is paralleled with China's Science and Technology Innovation initiative and is seen as equivalent to the “Cultural Creative China” endeavor. The aim is to enable literature to contribute more significantly to strengthening the originality of Chinese culture and constructing a powerful cultural influence.