Museums have evolved into complex institutions rather than just displaying collections. Exhibition design is one of the significant aspects associated with heritage representation. How we represent Indigenous cultural heritage in museum premises is a crucial question of our time because Indigenous cultures are facing a critical risk to their existence. This paper is based on case studies of four museums: two tribal museums from Telangana, India, and two Indigenous museums from Melbourne, Australia. The research analyses the curatorial approaches in museum displays using fourteen parameters. The framework was developed during the study based on the critical discourses on various aspects associated with museums. Primary data was collected through field visits focusing on key observations concerning museum displays and visual representation of Indigenous culture and heritage. Photo and video documentation, observation, and informal interview methods were used to gather the data. Secondary research was conducted through a desktop study and literature review. Combining and analysing the results of observations and case study parameters shows the scope of redefining museums and their representation in empowering tribal communities and their heritage in India.

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Displaying Indigenous Heritage: Analysing Discourse on the Cultural Heritage, Community Involvement, and Indigenous Representation in Museum Exhibition Design

  • Krishna Trivedi,
  • Deepak John Mathew,
  • Flavia Marcello,
  • Mark Taylor

摘要

Museums have evolved into complex institutions rather than just displaying collections. Exhibition design is one of the significant aspects associated with heritage representation. How we represent Indigenous cultural heritage in museum premises is a crucial question of our time because Indigenous cultures are facing a critical risk to their existence. This paper is based on case studies of four museums: two tribal museums from Telangana, India, and two Indigenous museums from Melbourne, Australia. The research analyses the curatorial approaches in museum displays using fourteen parameters. The framework was developed during the study based on the critical discourses on various aspects associated with museums. Primary data was collected through field visits focusing on key observations concerning museum displays and visual representation of Indigenous culture and heritage. Photo and video documentation, observation, and informal interview methods were used to gather the data. Secondary research was conducted through a desktop study and literature review. Combining and analysing the results of observations and case study parameters shows the scope of redefining museums and their representation in empowering tribal communities and their heritage in India.