Storytelling is one of the most precious intangible cultural heritages. It is the oldest form of knowledge transfer known to humankind and has been an integral part of all cultures, from the ancient Greeks to the Native American tribes and from Chinese to Indians. It is used not only to pass down knowledge, beliefs, and cultural experiences from one generation to the next, but also to teach, educate, motivate, and entertain. It is a powerful tool to communicate ideas, build relationships, and create a shared understanding. From ancient oral traditions to modern-day film and literature, storytelling has been an inherent part of our culture for thousands of years and continues to be a vital part of our lives today. With the assimilation of Islamic culture in India, a new form of storytelling was introduced in India. This was dāstāngōī, the Persian style of storytelling which gained popularity in the Mughal era and reached its zenith during the nineteenth century. The paper traces the evolution of dāstāngōī tradition in its historical context and its revival in our own times. The syncretic nature of this art form that draws its subject matters both from the Islamic and Indian histories, mythologies, and folk traditions will be discussed to argue that even in the modern age of digital communications, the efficacy of personal interaction through this tradition remains unchallenged.

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Storytelling Tradition in India: With Special Reference to Dāstāngōī

  • Sanjay Garg

摘要

Storytelling is one of the most precious intangible cultural heritages. It is the oldest form of knowledge transfer known to humankind and has been an integral part of all cultures, from the ancient Greeks to the Native American tribes and from Chinese to Indians. It is used not only to pass down knowledge, beliefs, and cultural experiences from one generation to the next, but also to teach, educate, motivate, and entertain. It is a powerful tool to communicate ideas, build relationships, and create a shared understanding. From ancient oral traditions to modern-day film and literature, storytelling has been an inherent part of our culture for thousands of years and continues to be a vital part of our lives today. With the assimilation of Islamic culture in India, a new form of storytelling was introduced in India. This was dāstāngōī, the Persian style of storytelling which gained popularity in the Mughal era and reached its zenith during the nineteenth century. The paper traces the evolution of dāstāngōī tradition in its historical context and its revival in our own times. The syncretic nature of this art form that draws its subject matters both from the Islamic and Indian histories, mythologies, and folk traditions will be discussed to argue that even in the modern age of digital communications, the efficacy of personal interaction through this tradition remains unchallenged.