This chapter explores beadwork as a fundamental skill associated with being a ‘good’ Nyonya. It examines how the heritage of beaded shoes, beaded objects and the practice of beading itself reflect processes of adaptation, innovation and engagement with external influences. Much like Nyonya cuisine, beaded shoes and their production are deeply linked to maritime networks and the historical trajectories of the port city. Beads offer a compelling case study of how a commodity that initially passed through George Town as part of wider trade networks became embedded in local heritage, transforming into what are regarded as ‘inalienable possessions’. As beading skills have largely faded due to a lack of time or expertise, most Nyonya now purchase beaded shoes rather than crafting them. Nevertheless, these shoes continue to serve as markers of distinction, a function that this chapter further explores in relation to clothing and dress practices.

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Bead It: Nyonya Beadwork as Practice and Things

  • Mareike Pampus

摘要

This chapter explores beadwork as a fundamental skill associated with being a ‘good’ Nyonya. It examines how the heritage of beaded shoes, beaded objects and the practice of beading itself reflect processes of adaptation, innovation and engagement with external influences. Much like Nyonya cuisine, beaded shoes and their production are deeply linked to maritime networks and the historical trajectories of the port city. Beads offer a compelling case study of how a commodity that initially passed through George Town as part of wider trade networks became embedded in local heritage, transforming into what are regarded as ‘inalienable possessions’. As beading skills have largely faded due to a lack of time or expertise, most Nyonya now purchase beaded shoes rather than crafting them. Nevertheless, these shoes continue to serve as markers of distinction, a function that this chapter further explores in relation to clothing and dress practices.