Islamic art had and continues to be created, and ceramics production played a significant role in it. Recently, there has been a growing interest in replicating traditional Islamic patterns in both the East and West, particularly geometric patterns. However, heritage is a dynamic and ongoing cultural process, not just a reflection of the past. Furthermore, generally with the shift in interests from material to digital based applications. Therefore, this project is practice-based research employing a multi-method approach with the goal of producing hybrid contemporary Islamic ceramics using both traditional and new technology approaches. Thus, the research’s creative practice also considered natural inquiry and serendipity as methods to inform its creative exploration. This resulted in a body of hybrid creative work, and a novel discovery regarding the application of lasers on fired ceramic pieces. Revealing a unique technique that practitioners can utilise and potentially benefiting the creative and industrial sectors.