Forellenquintett D 667: The Theriomorphic and Anthropomorphic Manifestation of the Self and the “Enlargement of the Personality”
摘要
Before composing the Forellenquintett D 667, Schubert had set the poem “Die Forelle” by Christian Friedrich Daniel Schubart to music several times. Taking into consideration the circumstances of Schubart’s environment and his own political engagement—which, in some measure, were comparable to Schubert’s background—this poem was recently recognized as bearing a political statement, criticizing the absolutist, respectively, the censorship regime that had once ruled. Observed from a psychological perspective, such regimes have an effect on society and consequently give rise to mental conflicts that impact the Self