The Blue Flower as a Nightmare—The Marvelous and the Uncanny in Twin Peaks
摘要
The article inquires into the romantic implications in Twin Peaks. Special Agent Dale Cooper’s path is interpreted in terms of a romantic development, with Novalis’ artist novel Heinrich von Ofterdingen and its motif of the blue flower, which is intertextually referenced by Lynch, serving as a reference point. Just as Novalis creates a poetic story of redemption with Klingsohr’s Fairy Tale, Cooper’s effort in the Laura Palmer murder case is to be understood as a fairy-tale-like rescue attempt, in which both the crime is atoned for and evil itself is to be banished from the world.