Nigel (Watts 1957–1999) authored five novels—The Life Game (1989), Billy Bayswater (1990), We All Live in a House Called Innocence (1992), Twenty Twenty (1995), and The Way of Love (1998)—as well as editing the poetry anthology Most This Amazing Day (1998). Despite the originality and diverse thematic scope of his work, Watts remains almost entirely overlooked by both readers and academia. This chapter presents the first critical study of his fiction, framing it as a unique contribution to the ongoing dialogue between Western literary traditions and Eastern spiritual thought, particularly Sufism. Watts’ novels consistently explore themes of inner transformation, the Sufi Teacher-Disciple relationship, and the unconventional path of Crazy Wisdom as a means of spiritual awakening. The chapter also examines how his work reflects the influence of G.I. Gurdjieff’s esoteric teachings and their resonance with the ideals of the Human Potential Movement, especially regarding concepts relating to self-realisation and transcendence. Drawing on biographical insights, including testimony from Watts’ widow, this study highlights the central role of Sufism in his personal and creative life. Watts took his own life in 1999, leaving a note expressing his longing for the “Beloved”—a Sufi metaphor for God—underscoring the spiritual intensity that shaped his literary vision.