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The distinctive nature of saga seed accessories not only captures a unique market niche but also aligns with the prevailing trend of ethical consumerism. By seamlessly blending traditional craftsmanship with contemporary design, these accessories serve as symbolic gateways to cultural heritage. This synthesis stimulates local economies and establishes a harmonious convergence of tradition and commerce within the broader framework of Designomics. From an economic perspective, this fusion presents opportunities for inclusive growth and a global appreciation of indigenous artistry. Within the Designomics model, the integration of indigenous people’s accessories, particularly the transformation of saga seeds into exclusive adornments, emerges as a catalyst for economic sustainability. This symbiotic relationship ensures both the preservation of cultural identity and avenues for economic empowerment within indigenous communities. The methodology employed in this study involves a nuanced exploration of cultural symbiosis and sustainable design. The interdisciplinary analysis incorporates perspectives from anthropology, design theory, and environmental studies, exploring into sociocultural implications, indigenous craftsmanship techniques, and the ecological sustainability of these transformations. This academic approach contributes to the discourse on culturally sensitive design, fostering an appreciation for traditional knowledge within academic realms. The study advocates for collaborative methodologies that bridge indigenous wisdom with contemporary design thinking, enriching both academic scholarship and the preservation of cultural heritage.

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Indigenous People’s Accessory on Designomics Model: The Uniqueness of Saga Seeds Transformed into Exclusive Accessories

  • 章节

  • 发表日期：

    2026年

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  • Jaruwan Pengsiri,
  • Worasiri Boonsue,
  • Zakiyah Hasan,
  • Verly Veto Vermol,
  • Mohd Fairus Yusoff,
  • Nur Aniza Mohd Lazim,
  • Norol Hamiza Zamzuri,
  • Hema Zulaika Hashim

摘要

The distinctive nature of saga seed accessories not only captures a unique market niche but also aligns with the prevailing trend of ethical consumerism. By seamlessly blending traditional craftsmanship with contemporary design, these accessories serve as symbolic gateways to cultural heritage. This synthesis stimulates local economies and establishes a harmonious convergence of tradition and commerce within the broader framework of Designomics. From an economic perspective, this fusion presents opportunities for inclusive growth and a global appreciation of indigenous artistry. Within the Designomics model, the integration of indigenous people’s accessories, particularly the transformation of saga seeds into exclusive adornments, emerges as a catalyst for economic sustainability. This symbiotic relationship ensures both the preservation of cultural identity and avenues for economic empowerment within indigenous communities. The methodology employed in this study involves a nuanced exploration of cultural symbiosis and sustainable design. The interdisciplinary analysis incorporates perspectives from anthropology, design theory, and environmental studies, exploring into sociocultural implications, indigenous craftsmanship techniques, and the ecological sustainability of these transformations. This academic approach contributes to the discourse on culturally sensitive design, fostering an appreciation for traditional knowledge within academic realms. The study advocates for collaborative methodologies that bridge indigenous wisdom with contemporary design thinking, enriching both academic scholarship and the preservation of cultural heritage.