The Disney legacy over the last century stands as one of the most powerful examples of magical storytelling, imagination, and cultural impact. Since 1923, when Walt and Roy Disney founded the Disney Brothers Cartoon Studio, Disney has continually remastered and redefined the art of entertainment. From the first synchronised sound cartoon, Steamboat Willie (Disney, 1928), which introduced audiences to the beloved character Mickey Mouse, to the groundbreaking film Snow White and the Seven Dwarfs (Hand, 1937), which was the first ever full-length animated feature, Disney set a high bar for animation and storytelling. The genius of Walt Disney’s vision for the company lay not only in the importance of creating outstanding animated art but also in its ability to design and generate emotional resonance, embedding universal themes of hope, adventure, and believing in one’s dreams. This book approaches Disney not only as a site of storytelling and fantasy but as a cultural institution deeply embedded in systems of representation, ideology, and power. Drawing on critical frameworks including political economy, feminist theory, postcolonial analysis, and cultural studies, the chapters in this volume interrogate how Disney reflects and shapes social values.