When I began my PhD research in late 2016, there were fewer than 10 Anglophone Kurdish literary works. Now, the number almost exceeds 30 with new titles emerging every day. Despite this small number, these writings carried immense historical, political, and cultural weight, marking the emergence of a distinct literary space shaped by displacement, war, and resistance. Their existence raised urgent questions about authorship, audience, and the function of literature in narrating the Kurdish experience.