The relationship between nature and conservation has significantly changed, and photography’s aesthetic appreciation of wildlife is crucial to conservation efforts. In response to biodiversity loss, photographers are increasingly using high-definition (HD) photography as a communication tool for conservation, focusing on vulnerable species, unique habitat, and specific biocultural contexts to raise citizen’s awareness. The photographic work in Cape Horn Biosphere Reserve, Chile presents as a salient case, where photographers have documented the diversity of endemic bryophytes and other life forms. By documenting the endemic biodiversity of protected areas and working with scientists, nature photographers are able to enhance the citizen’s understanding and appreciation of unique ecological areas, expose citizens to species that are often overlooked, and encourage people’s deeper understanding of ecological processes. While citizens are appreciating the beauty of the natural world as shown in HD photography, it is also important to understand the work ethicEthics of nature photographers. In this chapter, we attempt to analyze the work ethics of HD photography related to nature conservation within the framework of biocultural ethics. First and foremost, photographers are captivated by the beauty of the natural world, photographing its magnificence and diversity, which enhances the emotional connection with wildlife that is conveyed to the audience through their work. The practice of “collecting photographs” rather than simply “shooting” or “taking” pictures reflects photographers’ incorporation of biocultural ethical concerns into their work. Not only do they document life forms in unique habitats that bear biocultural significance and carry biocultural information, but they also adhere to the principle of minimal interference in the photographic process, embracing all other-than-human beings in nature as co-inhabitants.