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In December 2002 I was invited to take part in Wale’s first exhibition at the Venice Biennale of Fine Art 2003, along with three other artists: Cerith Wyn-Evans, Bethan Huws, and Paul Seawright. Patricia Fleming, a Glasgow-based curator, selected artists who had complex relationships with Wales as a nation state, and I was included in the roster as an emerging artist, with English as a first language, and who was embroiled in “networked” cultures locally and internationally. My recent work had included a curatorial project that influenced both the work that I produced in Venice and how I understood my relationship as a “new media artist” to other contemporary artists.

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It Was Meant 2 b gr8: Reneging on the Participatory Ethos of Software Culture in the 2003 Venice Biennale

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  • 发表日期：

    2026年

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  • Simon Pope

摘要

In December 2002 I was invited to take part in Wale’s first exhibition at the Venice Biennale of Fine Art 2003, along with three other artists: Cerith Wyn-Evans, Bethan Huws, and Paul Seawright. Patricia Fleming, a Glasgow-based curator, selected artists who had complex relationships with Wales as a nation state, and I was included in the roster as an emerging artist, with English as a first language, and who was embroiled in “networked” cultures locally and internationally. My recent work had included a curatorial project that influenced both the work that I produced in Venice and how I understood my relationship as a “new media artist” to other contemporary artists.