Scholarlink

The previous chapter discussed the ways in which a song’s content can relate to the film it is in/the content of a pop songPop song is added to and used by the different films. In “Reality” I discussed how the “content” of the song and the plot of the story were synthesized to create a clearer and more “touching” scene for the audience from the two dimensions of sound and image. In addition, the chapter discussed the reason why a song is able to move people, specifically how it reaches emotional communication with the audience and resonates; the role of songs in the film is not only for the creation of aesthetic or realistic scenes but for emotional engagement.

错误：搜索内容不能为空，请输入英文关键词
错误：关键词超出字数限制，请精简
高级检索

Boney M—Sunny: Disco Music in the Non-disco Scenes—The Usage of Boney M’s ‘Sunny’ in Western and East-Asian Films

  • 章节

  • 发表日期：

    2026年

查看全文
  • Tianfang Lin

摘要

The previous chapter discussed the ways in which a song’s content can relate to the film it is in/the content of a pop songPop song is added to and used by the different films. In “Reality” I discussed how the “content” of the song and the plot of the story were synthesized to create a clearer and more “touching” scene for the audience from the two dimensions of sound and image. In addition, the chapter discussed the reason why a song is able to move people, specifically how it reaches emotional communication with the audience and resonates; the role of songs in the film is not only for the creation of aesthetic or realistic scenes but for emotional engagement.