Richard Sanderson—Reality: How the Same Song’s Content Works in Different Films
摘要
Film musicFilm music study integrates both cinematic and musical theories: music and image play their respective functions and interact on the same carrier—film. Changes in the film musicFilm music, such as music genre, the way (mode) of accompaniment, or the instruments used, in the post-classical era began from the 1950s. Pauline Reay observes that “contemporary film musicFilm music consists of a much wider range than previously and there is far more emphasis on the market ability of the pop score”. As a result of the film industry's evolution and the demands of film markets, pop music soundtracks have increasingly taken on additional roles in dramatic films. This book largely focuses on exploring the cooperation and relationship between films and pop songsPop song.