The title—artistic practices, participation and politics—encapsulates the three main ideas mobilised and discussed in this book, as well as the various relationships established among them. We begin with a general approach to artistic practices and art, which gradually narrows down to theatrical language, with the concept of participation used as a common denominator that allows bridges to be built between community artistic practices and civic and political participation.

错误:搜索内容不能为空,请输入英文关键词
错误:关键词超出字数限制,请精简
高级检索

Introduction

  • Hugo Cruz

摘要

The title—artistic practices, participation and politics—encapsulates the three main ideas mobilised and discussed in this book, as well as the various relationships established among them. We begin with a general approach to artistic practices and art, which gradually narrows down to theatrical language, with the concept of participation used as a common denominator that allows bridges to be built between community artistic practices and civic and political participation.