As an emerging art production paradigm, artificial intelligence art deserves the attention of the literary and art theory circle. Based on the aesthetic theory of Bie-modernism, this paper believes that the subject of artificial intelligence art is a “quasi- subject” with high bionic performance, which can communicate and dialogue with human subjects, but it lacks the consciousness of life subject in essence, so the identity of artificial intelligence artist cannot be recognized by the art world. What artificial intelligence art expresses is a kind of non-authentic emotion that is not based on reality. It simulates and captures the “old emotion” in previous classic works, and it is essentially a “pseudo-emotion” that is divorced from the present. The existence value of artificial intelligence art has both positive and negative effects. From the positive side, the development of artificial intelligence art can promote the development of artificial intelligence technology and promote the further popularization of artistic creation. On the negative side, the streamlined and patterned production of artificial intelligence art creation leads to the decline of the traditional art production paradigm, and also leads to the decline in the quality of artworks. The cutting theory of Bie-modernism aesthetics advocates those artists take the initiative to learn artificial intelligence technology and understand the advantages and disadvantages of artificial intelligence artworks. On this basis, artificial intelligence technology is used as an auxiliary tool for their own art creation, so as to create works beyond artificial intelligence art.