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The First Time: Whitewashing White Permanence: The (Dis)/(re)Membering of White Corporeality in Early Modern England argues that whiteness was neither a stable nor stoic category of human identity in ShakespeareShakespeare, William’s day or in the works of ShakespeareShakespeare, William as our modern theatrical culture continually mis-remembers and re-performs. This chapter engages with the ways in which the modern theatre mis-remembers ShakespeareShakespeare, William in relation to whiteness to reinforce white supremacy.

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The First Time: Whitewashing White Permanence: The (Dis)/(re)Membering of White Corporeality in Early Modern England

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  • 发表日期：

    2025年

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  • Matthieu Chapman

摘要

The First Time: Whitewashing White Permanence: The (Dis)/(re)Membering of White Corporeality in Early Modern England argues that whiteness was neither a stable nor stoic category of human identity in ShakespeareShakespeare, William’s day or in the works of ShakespeareShakespeare, William as our modern theatrical culture continually mis-remembers and re-performs. This chapter engages with the ways in which the modern theatre mis-remembers ShakespeareShakespeare, William in relation to whiteness to reinforce white supremacy.