What does it mean to inhabit a land where de-stratification is taking place? To explore this question, the following interview traces the journey of Olivier de Sépibus Thomaïdis, a photographic artist who has spent over two decades using the landscape as a lens to examine our connections with the living world. He notably captures the disappearing glaciers of the Alps across France, Italy and Austria. This rapid transformation of the Alpine environment signals a crisis in how we perceive and describe these mountains. It is not just the mountains that are de-stratifying; our cultural connections to them are also unraveling. In this interview, we examine the photographic image caught between the enduring fantasy of the high mountains—white, sublime, eternal—and a stark reality that points to their impending obsolescence. By photographing the mountains “at glacier height,” Olivier de Sépibus Thomaïdis invites viewers into a landscape that challenges our perception, appreciation and understanding. He fosters a shift from a contemplative to an investigative perspective, transforming the mountain into a mystery that urges us to become sensitive to emerging earthly signs.

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Photographing Glaciers as They Are

  • Olivier de Sépibus Thomaïdis,
  • Olivier Labussière

摘要

What does it mean to inhabit a land where de-stratification is taking place? To explore this question, the following interview traces the journey of Olivier de Sépibus Thomaïdis, a photographic artist who has spent over two decades using the landscape as a lens to examine our connections with the living world. He notably captures the disappearing glaciers of the Alps across France, Italy and Austria. This rapid transformation of the Alpine environment signals a crisis in how we perceive and describe these mountains. It is not just the mountains that are de-stratifying; our cultural connections to them are also unraveling. In this interview, we examine the photographic image caught between the enduring fantasy of the high mountains—white, sublime, eternal—and a stark reality that points to their impending obsolescence. By photographing the mountains “at glacier height,” Olivier de Sépibus Thomaïdis invites viewers into a landscape that challenges our perception, appreciation and understanding. He fosters a shift from a contemplative to an investigative perspective, transforming the mountain into a mystery that urges us to become sensitive to emerging earthly signs.