By presenting the fifth dimension of the Distributed Free Improvisation Model, the chapter will discuss that every creative process is born and develops based on human actions. It comes into existence from subjectivities in interaction through a dialogical process that involves the reconstruction, resignification, and innovation of cultural messages and meanings (artifacts), which are returned to the world in which we live in the form of new material and symbolic productions–new artifacts. Based on this understanding, free improvisation performance needs to be understood as a fundamentally dialogical, relational, and developmental phenomenon since it results from a set of actions by the subjects involved in the creative process. The musicians/improvisers (subjects) and the sociocultural dimension are placed here in a position of alterity. Therefore, during free improvisation, they create through social and cultural exchanges experienced in a relationship of alterity and, through intersubjective processes, share meanings, experiences, and knowledge. In this way, the tensions caused by the particularities of each individual are dissolved as free improvisation takes place, and, as a result, the new (original result) emerges, generating transformations in the subject (musician) and in the improvised performance (environment).