This chapter examines Mei Lanfang’s 1930 U.S. tour as a pioneering act of inculturation, introducing Peking opera to American audiences. Moving beyond diplomacy, Mei’s efforts reflect a deep understanding of both Chinese theatrical traditions and American cultural expectations. Through accommodation, adaptation and innovation, Mei preserved the spirit of Peking opera while enhancing its appeal abroad. The chapter frames this process through the theological concept of inculturation, emphasizing cognitive understanding, cultural adaptation, and mutual recognition. By analyzing Mei’s performances and American theatrical responses, it reveals how cultural fusion and reciprocal appreciation forged a lasting bridge between China and the United States.