This research focuses on the integration of gesturality and generative environments in immersive performances, employing an interdisciplinary approach. It postulates that interactive media in performance can be a medium for strengthening community engagement and fostering individual reflection on tolerance through ritual functions. A comprehensive literature review, which covers performance, immersion, interactivity, audiovisual (AV) aspects, generative systems, and semiotics, forms the backbone of this research. This review is also supported by case studies which demonstrate the successful integration of contemplative practices. The methodology adopted includes practice-based research encompassing literature reviews, recording, critical analysis, exploratory exercises, mental mapping, live performances, and qualitative inquiry. Furthermore, the research incorporates real-time generative visuals and soundscape manipulation, utilizing tools such as the Theremin, MIDI controllers, Blender, OSC protocol, and TouchDesigner (TD). These methods address challenges pertaining to synchronization, real-time processing, and gestural interaction. The objective is to highlight the interconnection between ritual and multimedia art, and to explore novel avenues for artistic expression through interactive and media elements that facilitate an immersive environment conducive to a contemplative practice.