Reanimating Nature: In Praise of an Animist Cinema in the Age of Ecological Crisis
摘要
Drawing on Val Plumwood’s philosophical animism and on the notion of an enriched materialism, this paper argues that experimental film has the capacity to restore a sense of wonder towards the world, potentially inviting its spectator to rediscover the intentionality of more-than-human beings. In this sense, we could talk about animistic film.