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This chapter about the Long Tail (as defined by Chris Andersson) explores the field of music producers whose work has smaller audiences and how digitalization has shaped their possibilities for pursuing a career in the music business. When introduced in the early 2000s, this model saw an increase of opportunities because of the re-shaping of the distribution of music that made the manufacturing and storing of physical records obsolete. This idea is contrasted with the reality of music producers today as articulated in the interviews of this volume.

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Digitalization and the Long Tail: Perspectives of Music Producers from Småland

  • 章节

  • 出版模式：

    开放获取

  • 发表日期：

    2025年

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  • Mischa van Kan

摘要

This chapter about the Long Tail (as defined by Chris Andersson) explores the field of music producers whose work has smaller audiences and how digitalization has shaped their possibilities for pursuing a career in the music business. When introduced in the early 2000s, this model saw an increase of opportunities because of the re-shaping of the distribution of music that made the manufacturing and storing of physical records obsolete. This idea is contrasted with the reality of music producers today as articulated in the interviews of this volume.