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<p>Optical Coherence Tomography (OCT) is a powerful non-destructive and non-invasive 3D imaging technique for cultural heritage artifacts. It provides morphological information, such as in-depth layer mapping and particle presence. Line-field Confocal OCT (LC-OCT) combines OCT with confocal microscopy to achieve improved spatial resolution (~1 µm) and fast imaging, while maintaining a similar penetration depth to standard OCT. LC-OCT combined with automated data processing is used to map varnish layers and characterize their removal during conservation treatments. It is applied to a 17th century painting, to document previous restorations, and to a 17th century violin by the renowned Italian violin-maker Nicolo Amati, to assess the presence of its unique original varnish and optimize the conservation process for the selective removal of the overlying non-original varnish. This demonstrates the effectiveness of LC-OCT as a new technique for the quantitative characterization and conservation guidance of varnished cultural heritage artifacts.</p>

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Non-invasive quantitative investigation of varnish stratigraphy in historical artifacts using line-field confocal OCT

  • 期刊论文

  • 出版模式：

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  • 发表日期：

    2026年3月28日

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  • Giulia Galante,
  • Maëlle Vilbert,
  • Laetitia Desvois,
  • Diane Le Corre,
  • Lou Archambault,
  • Laurianne Robinet,
  • Nicolas Saumagne,
  • Marie-Claire Schanne-Klein,
  • Gaël Latour

摘要

Optical Coherence Tomography (OCT) is a powerful non-destructive and non-invasive 3D imaging technique for cultural heritage artifacts. It provides morphological information, such as in-depth layer mapping and particle presence. Line-field Confocal OCT (LC-OCT) combines OCT with confocal microscopy to achieve improved spatial resolution (~1 µm) and fast imaging, while maintaining a similar penetration depth to standard OCT. LC-OCT combined with automated data processing is used to map varnish layers and characterize their removal during conservation treatments. It is applied to a 17th century painting, to document previous restorations, and to a 17th century violin by the renowned Italian violin-maker Nicolo Amati, to assess the presence of its unique original varnish and optimize the conservation process for the selective removal of the overlying non-original varnish. This demonstrates the effectiveness of LC-OCT as a new technique for the quantitative characterization and conservation guidance of varnished cultural heritage artifacts.