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<p>This article presents a dialogue between Martin Heidegger’s existential phenomenology of death (being-toward-death) and Bernard Suits’ utopian vision of life as ‘game-playing’. Where Heidegger frames death as the horizon that singularises Dasein and demands an authentic confrontation with finitude, Suits reimagines mortality as a lusory challenge: by voluntarily embracing self-imposed obstacles, play becomes a therapeutic means to disarm existential terror. Through an analysis of Suits’ posthumous <i>Return of the Grasshopper</i> (2023), we argue that his ‘lusory attitude’ mirrors Heideggerian ‘resoluteness’, recasting death not as life’s interruption but as its constitutive rule—a necessary limit that grants meaning to the ‘game’ of existence. While both thinkers converge on death as a catalyst for freedom—Heidegger through <i>Angst</i> and Suits through ludic reframing—we interrogate whether their approaches risk trivializing mortality: Heidegger’s existential weight may overburden death’s role, whereas Suits’ playful pragmatism could dilute its irreducibility. Ultimately, the tension between hermeneutic depth and analytic utility reveals unresolved questions about how finitude should shape human projects—whether through solemn confrontation or strategic play.</p>

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Playing Towards Death: Suits’ ‘Game-Playing’ Utopia in Dialogue with Heidegger’s ‘Being-toward-Death’

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  • 发表日期：

    2026年3月9日

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  • Paulo Antunes

摘要

This article presents a dialogue between Martin Heidegger’s existential phenomenology of death (being-toward-death) and Bernard Suits’ utopian vision of life as ‘game-playing’. Where Heidegger frames death as the horizon that singularises Dasein and demands an authentic confrontation with finitude, Suits reimagines mortality as a lusory challenge: by voluntarily embracing self-imposed obstacles, play becomes a therapeutic means to disarm existential terror. Through an analysis of Suits’ posthumous Return of the Grasshopper (2023), we argue that his ‘lusory attitude’ mirrors Heideggerian ‘resoluteness’, recasting death not as life’s interruption but as its constitutive rule—a necessary limit that grants meaning to the ‘game’ of existence. While both thinkers converge on death as a catalyst for freedom—Heidegger through Angst and Suits through ludic reframing—we interrogate whether their approaches risk trivializing mortality: Heidegger’s existential weight may overburden death’s role, whereas Suits’ playful pragmatism could dilute its irreducibility. Ultimately, the tension between hermeneutic depth and analytic utility reveals unresolved questions about how finitude should shape human projects—whether through solemn confrontation or strategic play.