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<p>This article examines how arts-based, rights-oriented social work can foster voice, dignity, and inclusion with migrants in Spain. Drawing on decolonial theory and an a/r/tographic approach, we designed a collaborative program in reception settings with 57 adult migrants. Visual and performative artifacts—self-portraits, cultural “subway-map” cartographies, photo-narratives, a red-threads performance, and a floor installation—were treated as primary data. A constructivist grounded-theory strategy guided analysis using a formal–symbolic–contextual matrix (composition/color/materiality; metaphors and chronotopes; production/audience). Findings show measurable learning in visual literacy and creative–expressive and social competences, alongside increased agency in public spaces. Participants co-curated what to share, reframing dominant narratives of mobility through collective meaning-making and community pedagogy. The study details a practical rights-based toolkit for social work: layered, accessible consent; anonymity and takedown options for images/QR content; safety briefings for public actions; member checking across stages; and co-curation to prevent aesthetic paternalism. We argue that arts-based practice, read through a decolonial lens, moves beyond using art as a mere method and functions as education <i>within</i> the arts that advances human rights in research, practice, and social work education. Implications are offered for curriculum, frontline practice, and community advocacy.</p>

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Decolonial Arts-Based Social Work and Education with Migrants in Spain: A Rights-Based Approach

  • 期刊论文

  • 出版模式：

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  • 发表日期：

    2026年3月3日

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  • Marta Poza-Garcia,
  • Victoria Martínez-Vérez,
  • José-Luis Parejo

摘要

This article examines how arts-based, rights-oriented social work can foster voice, dignity, and inclusion with migrants in Spain. Drawing on decolonial theory and an a/r/tographic approach, we designed a collaborative program in reception settings with 57 adult migrants. Visual and performative artifacts—self-portraits, cultural “subway-map” cartographies, photo-narratives, a red-threads performance, and a floor installation—were treated as primary data. A constructivist grounded-theory strategy guided analysis using a formal–symbolic–contextual matrix (composition/color/materiality; metaphors and chronotopes; production/audience). Findings show measurable learning in visual literacy and creative–expressive and social competences, alongside increased agency in public spaces. Participants co-curated what to share, reframing dominant narratives of mobility through collective meaning-making and community pedagogy. The study details a practical rights-based toolkit for social work: layered, accessible consent; anonymity and takedown options for images/QR content; safety briefings for public actions; member checking across stages; and co-curation to prevent aesthetic paternalism. We argue that arts-based practice, read through a decolonial lens, moves beyond using art as a mere method and functions as education within the arts that advances human rights in research, practice, and social work education. Implications are offered for curriculum, frontline practice, and community advocacy.