Frida Kahlo (1907–1954): endocrine perspectives on art and identity
摘要
This piece reflects on Frida Kahlo—the iconic Mexican painter whose art and life remain profoundly intertwined—through the lens of endocrinology. In works such as Self-Portrait with Monkey and Parrot, Kahlo presents herself with features suggestive of mild hirsutism, including her distinctive monobrow and faint upper-lip hair. The essay explores how her distinctive features, often interpreted as signs of androgen excess, may instead represent an assertion of cultural identity and aesthetic autonomy.