<p>This ethnographic study examines how three Canadian queer theatre festivals—Rhubarb (Toronto), Pretty, Witty, and GAY! (Lethbridge), and OUTstages (Victoria)—cultivate inclusive, identity-affirming environments for queer communities. Drawing on interviews with performers, organizers, and audience members (<i>n</i> = 70), participant observation, and qualitative postcard surveys, the analysis used thematic approaches to show how these festivals function as liminal, performative settings that encourage vulnerability, self-expression, and community connection. Guided by queer geography and performance theory, the study identifies key atmospheric features—safety, inclusivity, sociality, and experimentation—produced through practices such as gender-neutral washrooms, consent education, celebratory dress, and performative openness. These environments offer rare opportunities for authentic queer expression outside traditional nightlife venues, particularly for multiply marginalized participants. The study argues that queer theatre festivals operate as vital cultural infrastructures that challenge normativity, support identity exploration, and foster belonging. This work contributes to scholarship on queer geography, performance, and well-being and offers insights for designing intentionally inclusive queer cultural events.</p>

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Atmosphere of Canadian Queer Theatre Festivals: An Ethnographic Study

  • Alan Chaffe,
  • Craig M. McGill,
  • Brandon H. Haddock

摘要

This ethnographic study examines how three Canadian queer theatre festivals—Rhubarb (Toronto), Pretty, Witty, and GAY! (Lethbridge), and OUTstages (Victoria)—cultivate inclusive, identity-affirming environments for queer communities. Drawing on interviews with performers, organizers, and audience members (n = 70), participant observation, and qualitative postcard surveys, the analysis used thematic approaches to show how these festivals function as liminal, performative settings that encourage vulnerability, self-expression, and community connection. Guided by queer geography and performance theory, the study identifies key atmospheric features—safety, inclusivity, sociality, and experimentation—produced through practices such as gender-neutral washrooms, consent education, celebratory dress, and performative openness. These environments offer rare opportunities for authentic queer expression outside traditional nightlife venues, particularly for multiply marginalized participants. The study argues that queer theatre festivals operate as vital cultural infrastructures that challenge normativity, support identity exploration, and foster belonging. This work contributes to scholarship on queer geography, performance, and well-being and offers insights for designing intentionally inclusive queer cultural events.