<p>This research sought to answer the question about what students learnt from a self-regulated learning (SRL) video annotation tool in a hybrid secondary acting classroom. SRL is an important skill for students to self-direct their own learning processes. For the intervention, students engaged in a series of SRL activities through the video annotation tool, <i>VideoAnt</i>, for six weeks during the distance learning period. A convergent parallel mixed methods design was conducted. Quantitative data was collected using the International Thespian Society – Acting Rubric to assess students’ acting skills. Qualitative data was collected via semi-structured individual interviews. Quantitative findings demonstrated students gained proficiency in acting skills after using the video annotation tool in the acting classroom. Interview data about participants’ perceptions of the intervention were analyzed to triangulate quantitative findings. Implications of these findings for theatre/art educators and academics investing in SRL are discussed.</p>

错误:搜索内容不能为空,请输入英文关键词
错误:关键词超出字数限制,请精简
高级检索

Self-regulated learning and video annotation in a high school acting classroom

  • Jessica Perry Ellison,
  • Hengtao Tang

摘要

This research sought to answer the question about what students learnt from a self-regulated learning (SRL) video annotation tool in a hybrid secondary acting classroom. SRL is an important skill for students to self-direct their own learning processes. For the intervention, students engaged in a series of SRL activities through the video annotation tool, VideoAnt, for six weeks during the distance learning period. A convergent parallel mixed methods design was conducted. Quantitative data was collected using the International Thespian Society – Acting Rubric to assess students’ acting skills. Qualitative data was collected via semi-structured individual interviews. Quantitative findings demonstrated students gained proficiency in acting skills after using the video annotation tool in the acting classroom. Interview data about participants’ perceptions of the intervention were analyzed to triangulate quantitative findings. Implications of these findings for theatre/art educators and academics investing in SRL are discussed.