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<p>The transmedial and infinite narrative of Pinocchio is intertwined with the matrix of the novel, namely the initial version released in the <i>Giornale dei bambini</i> in 1881, originally comprising fifteen chapters concluding with his hanging. Pinocchio embodies a series of contradictions that possess a profoundly historical and social nature; rather than resolving these contradictions, he continuously propels them forward, engaging them in a “disorganizing” pursuit that extends to the present day and is capable of interrogating and challenging our biopolitical condition.</p>

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Desiring narration: Pinocchio and the rebellion of the body without organs

  • 期刊论文

  • 发表日期：

    2026年3月19日

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  • Diego Gullotta

摘要

The transmedial and infinite narrative of Pinocchio is intertwined with the matrix of the novel, namely the initial version released in the Giornale dei bambini in 1881, originally comprising fifteen chapters concluding with his hanging. Pinocchio embodies a series of contradictions that possess a profoundly historical and social nature; rather than resolving these contradictions, he continuously propels them forward, engaging them in a “disorganizing” pursuit that extends to the present day and is capable of interrogating and challenging our biopolitical condition.